2027 Winter and Spring In-Person Workshop Registration is Now Open!
Register for Stephen Procter's 2027 pottery workshops. Enjoy hands-on instruction in small classes designed to refine your ceramic skills and artistic practice.
Reflections on My June 2026 Advanced Sectional Throwing Workshop
Stephen Procter reflects on his first Advanced Sectional Throwing Workshop, sharing highlights from an inspiring week of creativity, ceramic artistry, and collaboration with experienced potters.
Stephen Procter at the 93rd Annual Craftsmen's Fair in New Hampshire
Meet Stephen Procter at the 93rd Annual Craftsmen's Fair in New Hampshire, August 1–9, 2026. Explore his latest handcrafted woodwork and experience one of New England's premier artisan events.
New England Home Article: Vermont’s Stephen Procter sculpts garden vessels that sometimes elicit emotional reactions.
“Monumental.” It’s a word that Vermont potter Stephen Procter often uses to describe his three-to-five-foot-
tall elegant stoneware garden vessels. And for good reason. As he speaks from his expansive workshop in a former textile
mill in Brattleboro, he explains that his oversize pots, thanks to both their stature and execution, can “transform a space,
intrigue onlookers, invite contemplation, and even inspire”
by their mere presence in a garden or landscape.
Grand Gesture: Monumental Vessels in the Garden
My exhibit, Grand Gestures: Monumental Vessels in the Garden is now open at the Berkshire Botanical Garden!
Exhibit runs from October.
Interview with Berkshire Botanical Garden: “Grand Gesture: Monumental Vessels in the Garden’”
Grand Gestures: Monumental Vessels in the Berkshire Botanical Garden - Stephen Procter Studios Interview
Reflections from the Sectional Throwing Workshop, April 29 -May 2
A few days in Vermont working at scale—exploring form, process, and the quiet value of learning together in the studio.
Paradise City Arts — May 2026
I’ll be exhibiting at the Paradise City Arts Festival this May, in Northampton. You’ll find me at Booth 7.
I’ll be showing a group of large ceramic vessels. The focus remains on form, proportion, and how a piece holds its presence in space. These are not new concerns for me, but each body of work moves the question forward in small ways.
Join Me at Berkshire Botanical Garden This Season
Excited to share my exhibition, “Grand Gesture: Monumental Vessels in the Garden,” on view at Berkshire Botanical Garden from May 16 through October.
So Many Strong Pieces From the Last Workshop
There were so many beautiful and impressive pieces made by students in my most recent workshop.
I usually encourage students not to get too attached to their practice pieces, but this time, the work was simply too good to recycle. Every piece reflected so much creativity, effort, and growth, and it was such a joy to see what everyone created.
If you’ve been wanting to be part of a remarkable community that creates work like this, I’d love to have you join us for the next workshop.
March Workshop Notes — Seven Pots, Seven People, One Very Good Week
The March 11–15 workshop here in Brattleboro was one of those weeks that reminds me why I continue teaching these small group sessions. There were seven students this time, which turned out to be just the right number. Small enough that everyone had space to work at their own pace, but large enough to create that shared momentum that makes the studio feel alive.
Garden Vessels in Four Seasons
Winter strips the garden back to its bones, revealing the quiet power of well-placed pots. This piece explores how winter placement shapes structure now—and beauty in the seasons to come.
Workshop Recap | January 14–18, 2026
A week in the studio marked by purpose, creativity, teamwork, and shared laughter — where attention and care shaped both the work and the experience.
A Quiet Conversation Between Indoors and Outdoors
A Quiet Conversation Between Indoors and Out: A friend and collector in upstate New York recently welcomed three of my vessels into his home. Seeing them in a new setting revealed how their tones and forms quietly bridge the interior space with the winter landscape outside, softening the architecture and creating a gentle sense of openness in the colder months.
Ceramics Congress 2025
Join me at the online Ceramics Congress 2025! I will share key strategies and techniques that were game-changing for me as I learned to throw at monumental scale, and that will help you scale up, too. My hour-long talk/demo goes up at 8:00am Nov 21, and I'll do a live Q&A at 1:00 Eastern that day. I hope to see you inside!
Get access to the course here: https://ceramic.school/courses/the-ceramics-congress-2025/
Ahead of the Curve
At Stephen Procter Studios, we’ve been ahead of the “Color of the Year” trend, crafting vessels in this 2025 Color of the Year since the very beginning.
2025 Shows & Events
Save these dates and immerse yourself in the artistry of Stephen Procter Studios! Don’t miss the chance to explore his breathtaking sculptural vessels at these must-see shows in 2025.
Winter Elegance with Sculptural Vessels
As the colder months approach, I invite you to consider how a well-chosen piece of sculpture can transform your winter landscape. When placed outdoors, sculptural art takes on a dynamic life: through the cold months snow and wind accentuate the form, and ever-changing light creates a lively interplay between the natural world and the presence of the manmade.
Winners of the 2025 Grants for Apprenticeships Program Recipients
Studio Potter is pleased to announce the recipients of the 2025 Grants for Apprenticeships Program. Each of these five mentor/apprentice teams will receive awards of $15,000 as they work together in 2025 to expand their practices, deepen their ties, and share the rhythms of the studio throughout the year. Congratulations to each of you!
Podcast: Pottery Worthy of a Legacy | Stephen Procter | Episode 804
For Stephen Procter a chance encounter with clay grew into a passion and a mid-life career change. Formerly a classical guitarist, Stephen found that making gestures through sound and time offered many analogies to making gestures in clay and space.