Copy What moves me most about seeing these vessels in nature is the feeling that they somehow belong there — as though they have quietly existed within the landscape long before we noticed them. I have never wanted the pieces to dominate nature, but rather to enter into conversation with it: holding their own presence while remaining deeply connected to the rhythms, curves, and stillness around them. Over time, rain, moss, shadow, and changing light soften the boundary between sculpture and landscape until the vessel feels less like an object placed in the garden and more like a living form within it. I hope the work carries that paradox — both distinct and inseparable from the natural world at once.